BIGiDESIGN USA Fountain EDC Review

I’m a fan of Big Idea Design (BIGiDESIGN) and have been for years. I’ve supported many of their kickstarters, and they make some of my favourite pens and I have reviewed quite a few of them: Ti Arto Review, Ti Arto EDC Review, BigIDesign Dual Side Click Pen Review, BigIDesign Pens Overview.

When they originally came out with the Fountain EDC, their first fountain pen offering, I decided to not purchase it. I don’t generally like metal fountain pens, and I rarely use pocket fountain pens because of the hassle of posting them every time you write.

So how did I end up with a Fountain EDC?

I backed their kickstarter of course. Big Idea Design launch all of their products via kickstarter, and this one was no different: a kickstarter for an Ultem Fountain EDC made in the USA in their new machine shop there.

You got a sticker and a little badge if you backed the project. Very cool.

The ultem rage swept through the fountain pen community in recent years (? it could be months, time is meaningless to me since cancer and COVID), and left me cold. I found the material ugly, and the fact that it was touted as extra light and durable didn’t make it more attractive to me. It’s basically a plastic that’s available in black or a singularly ugly orangey-yellow, with certain chemical properties that aren’t very applicable to fountain pens (are you steaming your fountain pens or boiling them regularly? If so, ultem might be for you but fountain pens are clearly not). I’m being cynical, I know, but there’s a twist, I promise. It all works out in the end.

Tiny, light and ugly – the Ultem Fountain EDC

Big Idea Design generally work with titanium, so seeing them use another material was intriguing. It was also a material that is perfect for an EDC type of pen, as it’s both light and durable. The yellowish colour also works well with the matte grey of the titanium hardware that they selected for this pen, and unlike other ultem pens, the price of this one was reasonable. So I decided to try the ugly plastic and see what all the fuss was about.

Ultem Fountain EDC in all of its… glory?

So I backed the kickstarter and the pen arrived very quickly (Big Idea Design kickstarters work like that. They deliver on time, and fast). The box was the usual great Big Idea Design box that they’ve been using in recent years, and it came with a sticker and a tiny velcro rubber patch – very cool.

I was stunned by weight of the pen.

It’s a pocket pen, so it’s bound to be light, and I knew that ultem is supposed to be light, but it’s jarring how light it is. The ultem had a nice, matte finish, the ugly yellow did work well with the brushed titanium clip, but the entire weight of the pen is basically in that clip and the (Kaweco) nib.

The pen, posted as it is when you write with it.

This pen has to be used posted, it’s just too short to use it unposted, much like the Kaweco Sport. There’s a step in the back and an o-ring on the cap that make posting supposedly more secure, but you need to make sure you’re applying enough pressure when posting or the cap will go flying off. On the plus side, the cap is made of ultem so it will likely be unscathed, but it really isn’t the most convenient experience.

In terms of size it’s about the size of a Kaweco Sport, just a smidge longer, when capped:

Fountain EDC on the left and Kaweco Sport on the right

However, things are different when the pens are posted: the Fountain EDC is significantly longer than the Kaweco Sport. It would be much more comfortable for long writing sessions than the Kaweco Sport if not for two flaws in the design: the cap posting, and the ink flow.

I mentioned the cap becoming easily unposted before, but it’s worth mentioning again. The design of the pen is such that you really need to push the cap on to pen body and check that the o-ring is engaged, otherwise the slightest jarring will pop the cap off.

The second flaw is the most major one with this pen, and it’s a big enough deal that it makes me not recommend this pen until Big Idea Design solve it. The pen has a very, very hard time starting. It’s not related to the cartridges you choose to use, but rather to the design of the nipple that connects to the cartridge. Enough Kickstarter backers had this issue for Big Idea Design to post a YouTube video addressing it. They say that it’s the coating they put on that nipple, and that taking a pin and scraping that coating off should help. Well, I did the procedure more than once with various tools and it helped a bit, but the pen still requires literal shaking every paragraph or so to get the ink flowing again after it dries out.

As this is the only fountain pen I used as I was travelling for three weeks, this was very frustrating. I love the feel of the pen, but the ink flow issue, the cap issue, and the weird balance with the ultra-light ultem material that makes this pen very back-weighted when posted makes this not a product that I would recommend.

The back-weighting and the cap posting issue should have been taken into account during the design process. The flow issue should have definitely been caught during production, especially as it’s a made in the USA pen (i.e. local to the Big Idea Design people, in a shop owned and operated by them).

So bottom line:

I really wanted to recommend the Fountain EDC but I really don’t. The pen needs to be redesigned to have better flow, better balance and better capping.

Ultem itself is as ugly as I thought it would be, but it’s a lightweight and durable material with a nice feel to it, so I get the hype a bit better now.

Product design is difficult, even for experienced designers.

One Week 100 People 2024 Day 5

I really didn’t feel like sketching today, as I discovered that my cat has a large lump on his hind leg so I need to take him to the vet tomorrow. I’m worried about him and so considered skipping today entirely, but ended up sketching some people to distract myself. Same setup as yesterday – Leonardo Momento Zero fountain pen, Diamine Fireside Snug ink, Stillman and Birn Alpha.

Vintage Radius Comet Fountain Pen Review

In April 2010 back when I was relatively new to collecting vintage fountain pens, I purchased a vintage Radius Comet on the Fountain Pen Network. The body was brown laminated celluloid, just like Parker striped Vacumatics, and you could see the ink levels through the stripes, just like with a Parker Vacumatic, and it had a jewel on the cap, just like a Parker Vacumatic. It was, however, a piston filler, unlike the Parker Vacumatic, and it had a superflex gold nib, also unlike a Parker Vacumatic. So even though I had never heard of the brand before and there was very little information about them to be found, I took the risk and bought the pen. It cost €120 shipped.

The pen was obviously user-grade, as there was brassing and tarnishing on the hardware, a lot of micro-scratches on the body, and some ambering in parts of the celluloid. It’s still a good looking pen, though.

The stripes had darkened with time, but some still have their original glow

The design of the clip and the jewel on the end of the cap was clearly influenced by the ultra popular Parker Vacumatic.

The jewel on top, a clear copy of the Parker design.

Even though the celluloid has darkened and ambered with time, you can still clearly see the ink levels through the stripes. As a piston filler it has an impressive ink capacity, which works well with the flex nib, as it can lay down a good amount of ink when fully flexed.

You can see the ink levels through the stripes.

It works perfectly – the filling system is and always was a joy to use, and the nib… Well, the literally don’t make nibs like this any more:

When you apply no pressure it’s a wonderfully smooth fine nib, but when fully flexed it goes up to broad/double broad territory. The feed keeps up with the ink flow with ease, and I’ve never had a hard start with it, ever.

Writing sample on Midori MD paper with Diamine Amaranth

Leonardo has revived the brand in recent years, and now you can buy a brand new Radius with a cartridge/converter system, resin body and (obviously non-flexible) steel nib for around €150, not including shipping. No modern pen manufacturer is capable of creating a pen like the vintage Radius or any of its contemporaries, neither in body material, nibs or filling systems at the price that they were once made. It’s a question of both volume and lost knowledge and tooling, which means that the vintage and new Radius pens have very little to do with each other beyond having the same brand name.

Buying vintage is always a risk in a way buying modern pens isn’t, but the value for money still cannot be beaten. I might buy a modern Radius at some point in the future (I like their designs and I’m curious about the pens), but I have no doubt that in terms of looks, nib and filling system it won’t be able to hold a candle to its well-worn and well-loved vintage namesake.

February 2024 in Pens and Paper

I started the month ready to spend the first half of it in hospital, with my dad. So the fountain pens I chose were all expendable pocketable pens that I was willing to have stolen (apart from the Schon Design Pocket 6 which was a leftover from January and never left my desk). So that meant I inked 4 Kaweco Sport fountain pens using various ink cartridges that I had on hand.

The portable lineup:

Once my dad got out of hospital and back home, I decided to celebrate by “shopping” from my collection. I inked up a Parker 51 Plum (use the good china!), a Parker Vacumatic, a Franklin Christoph 45L Turqish (spelled like that on their site) Crush that I had purchased but hadn’t inked before, and a vintage Radius Comet (because I heard that the brand was being revived).

The Franklin Christoph EF nib isn’t the best companion to the Eau de Nil as the ink tends to dry in the nib, causing hard start issues. The Radius is a flexible nib of the vintage kind, which means it’s really flexible and not just springy. It also rattles, which makes me not carry it around with me — it stays at home at my desk. The Leonardo is a beautiful pen with a beautiful ink that I refilled immediately — the only Inkvent 2023 ink I did that with. The two vintage Parkers are phenomenal, as usual. The extra fine nib on the vacumatic somehow really well with Diamine Ash, though I was worried at first that the combination would be too light to be readable. The Parker 51 Aeromatic is a treat to use. It’s the rare Plum colour, and it’s got a fantastic nib (as all 51’s have) which pairs very nicely with the Monteblanc The Beatles Psychedelic Purple.

In terms of paper I’ve been using Kokuyo A4 KB paper which I cut to half size (so A5) to manage my daily to do list. The paper is relatively cheap and very fountain pen friendly. I’m also able to use both sides of the page despite there being some show through.

Kokuyo A4 KB paper cut in half to A5 size. This is why standards are great.

I’ve got a Field Notes Heavy duty on my desk at home and at work, and I just bought a new stock of them. These are where I jot down quick notes, phone call details, doodles during boring meetings. When they’re filled up they get tossed out as nothing in them is permanent — everything important in them moves to somewhere else as I work my way through them.

Field Notes Heavy Duty pocket spiral bound reporter notebooks

I have finally found a use for my Dingbats notebooks (beyond giving them away as gifts, as I have in the past): this lined purple hippo one is my blog notebook. I discovered that I have a much easier, much quicker time writing blog posts if I first draft them on paper, and this is where I do it in. I’ll likely write a dedicated post to this notebook soon.

Apart from them I still use the notebooks I used last month.

Pencils

I’ve been using the Drehgriffel Nr. 2 as my daily driver. I use pencils extensively to plan, as my plans tend to change, and there’s something about this solid little mechanical pencil that makes me want to use it.

Apart from that I brought two pencils into the rotation, to try to use. One is from my last purchase from the late and great C.W. Pencils Enterprise, and it’s the “Big Dipper” J.R. Moon Pencil Co 600. It’s an oversized pencil, the kind of pencil that kids who are learning to write are expected to use. I’ve been having pretty significant neuropathy in my hands lately and I thought that this would be nice and easy to use, as after all it’s designed for kids just learning to develop their fine motor skills. So far it’s been a disappointment – the eraser and ferrule make it very top heavy, and I’ve been having a hard time manipulating it. I can’t imagine kids using this pencil and having an easy time with it. I like the over the top red foil with gold writing look though, so I haven’t given up on it yet.

The second pencil is a Blackwing Volumes 56, the baseball themed one. The core is soft and dark, and I’ve been using it for quick and loose sketches. I’m trying to ease into one week 100 people by training myself to work faster than I normally would.

What did you use in February? Any planner changes? Pencil revelations? Pen preferences?

January 2024 in Pens and Paper

January was a big month in terms of writing pens dry. For the first time ever I managed to write all of the Inkvent pens dry by the end of the month. That’s 12 fountain pens written dry, which is the most I’ve ever written dry in a month. The secret is not filling them more than 50% full, and making sure to journal and note-take consistently.

In terms of paper products I’ve journaled in my Stalogy 365 B5 journal and will be switching to a new journal next month (also a Stalogy 365 B5 because I like the paper and the format). I do have a little quirk with these notebooks – I use them upside down because I don’t like the header with the dates on it, so I flip the notebook around so that it’s at the bottom of the page. That way it doesn’t bother me as much.

I’ve also been using a Rhodia A5 dot pad to time block my day, and Kokuyo A4 KB which I cut in half (to get two A5 pieces of paper) and write my daily todo list on. At work I use a Maruman Mnemosyne horizontal A5 notebook (either squared or blank) to brainstorm on, track my tasks, take meeting notes, etc. My weekly plans and long term 12 week year goals are in a Leuchtturm1917 Bullet Journal that stays at home, on my desk. The rest (Stalogy B5 journal, two pieces of daily planning paper, and the Mnemosyne) travel with me when I go to the office.

I have a monthly calendar with some monthly reading, running, gym, swimming and blogging targets on it and I draw that on a Well Appointed Desk “Rebel Plans” notepad.

Earlier this month I used the wonderful Pelikan Hubs paper to do my daily planning, and it was amazing (cardstock thick and fountain pen friendly). I was running out of it quickly though, which is why I moved to the Kokuyo.

In terms of standard pens I’ve used the Pilot Hi-Tech-C in 0.4, my Spoke Design Spoke Pen in orange crush, and a Pilot Juice Up 04 in orange and light blue. As I will be spending a lot of time at hospitals next month, I will likely be using more standard pens then.

Pencils in use were the Tennessee Red, which is gorgeous and a treat to use, and Leuchtturm1917 Drehgriffel Nr.2 mechanical pencil in red and grey. I have better mechanical pencils that this one, and yet I keep returning to it. Something about the Drehgriffel design is simply appealing to me. You can read my review of it here.

Next month will likely see more use of standard pens and pocket or cheap fountain pens. I will be in the hospital a lot, so that means that my setup will change to reflect that.

Here are the fountain pens I filled for February:

The new and challenging setting will mean that I’ll likely go back to my trusty Moleskine hardcover and Ti Arto for the duration of my dad’s stay in hospital.

What stationery products have you been using in January?

Journaling Series: My Current Journaling Setup

I realized that the last journaling sample that I uploaded is three years old and my setup and journaling format changed considerably, so I decided to post an update.

I currently use a Stalogy 365Days B5 grid notebook in light blue. This is the second such notebook that I’ve used, the previous one being black. Before that I used Moleskines, and it’s quite possible that I’ll return to using Moleskines, but currently I enjoy both the smaller format of the Stalogy B5, and its fountain pen friendly pages. The notebook is thick but the pages are thin, so there’s show through (and sometimes bleed through) on every page. It doesn’t bother me, but if it bothers you then you’ll need to either write on only one side of the page or choose a different notebook.

I exclusively use fountains pens in this notebook, whatever is currently inked, though I prefer fine nibbed pens.

My journaling format has also changed, and it’s now as follows:

Gratitude – I tried writing this in the evening but I found that it works better to write this part as early as possible in the morning. Sometimes it’s divided into sections (health, family, work, home, etc), but it’s usually a bulleted list of around 4-5 things. I try to be specific, and I try to remember even the most mundane of things. Especially during tough times it’s super helpful, and it also serves to get me journaling early in the day. Some days I only get this done, but those days are rare.
Notes on what happened during the day. I used to try and be a completionist, but that was just a source of frustration and eventually gaps in my journaling practice. Instead I now journal only things that are meaningful, which means that I journal less to record the day and more to reflect on key moments in it. I try to include a story of some kind (like seeing something interesting on the bus drive to work), and a reflection or insight of some sort (for example, my thoughts on someone being fired, or what the news appears to do to people’s mood and patience).
I end with something out of Acceptance Commitment Therapy (ACT), which is a note on how I tried to advance each of my chosen values (for me it’s self development, courage, creativity, fitness and friendliness). This helps me manage my PTSD, especially during tough days. I know that I’ll be keeping myself accountable in the evening, so I try to keep them top of mind throughout the day.

I journal in the morning, and usually also once or twice during the day and once in the evening. I’m trying to develop both a shutdown routine and a task switching routine, and use them both as opportunities to journal and reflect.

Apart from these, once a week ever since the beginning of the year I reflect on how well I achieved my goals for the week, and once per month I reflect about the month. At the end of the year I review the entire year, and that’s usually the longest entry in my journal for that year. I tend to write 2-3 pages a day, though some days it’s just one page, and some days it closer to 5-6.

Sometimes I sketch in my journal, but it’s rare, and unlike my Moleskines, I don’t glue things in my Stalogy (so not ticket stubs, tags, stickers, business cards, etc).

Sketch sample on the right, the blotting paper on the left, and the fountain pen I used.

I keep a folded piece of A5 blotting paper in my journal, as the ink takes time to dry in the Stalogy, and without it the whole page becomes a mess.

Diamine Inkvent 2023 Day 22

This is the Diamine Inkvent 2023 day 22 door:

Day 22’s ink is Diamine Tinsel. It’s a shimmer ink.

Diamine Tinsel is bright red ink with red shimmer and a lot of shading and it’s gloriously Christmas appropriate.

It took 22 days for Diamine to pull out the red Christmas ink but they knocked it out of the park with this one. It dries darker than it writes on the page, with the base ink being a bright red ink with orange shading. The shimmer renders it darker and richer and really makes it something special. In previous Inkvents Diamine leaned too heavily for my taste on the red inks, but this time they picked them carefully and sparingly. While Bah Humbug goes for the dark red theme, Diamine Tinsel is the full on festive bright red with shimmers on top.

I probably should have sketched today’s bear with blue ink, but Diamine Tinsel it is. The reason I bought him is because of those eyes. I just couldn’t say no to them.

Here’s the original bear (what do you think of his eyes?):

Diamine Tinsel was the festive red ink that this Inkvent calendar needed. Whether you use it to write Christmas cards or letters to Santa, this ink definitely has “Christmas” written all over it.

Inktober 2023 Day 7: Pink Antelopes

I wasn’t in the mood to sketch these, but I decided to sketch them anyway. Pelikan Souverän M600 vintage Tortoise Shell brown fine nib with Pilot Iroshizuku Yama Budo.

Inktober 2023 Day 6: Grey Elephant

I enjoy sketching with grey inks, so I oftentimes have a pen filled with a grey ink of some kind or another. Today’s selection is the Pelikan Souverän M605 Stresemann with a medium nib (which as it’s a gold nibbed Pelikan, verges on the broad) filled with Diamine Silver Fox. Silver Fox is from Diamine’s 150th anniversary collection (one of the original ones they issued), and is a slightly warmish medium grey with fantastic shading.

African elephants are pretty fun to sketch, so I may be tempted to sketch another one of them later this month.

If you’re looking for a grey ink that’s well behaved, offers a lot of shading, is readable even in fine nibs and is slightly on the warmer side of the grey spectrum, then I recommend giving Diamine Silver Fox a try.

Inktober 2023 Day 5: Teal Rhino

I like inks that are on the teal/turquoise range so I almost always have a pen inked up with something in that shade (I currently have three – this Robert Oster Peppermint, Robert Oster Fire and Ice and a Graf von Faber Castell Turquoise). I sketched this white rhino without considering the background — which was just plain rock face, and so something that I should have changed up.

The pen body is from Woodshed Pens, and the nib is a Franklin Christoph fine. I like this combination, as it allows some sheen and shading to appear and yet is still relatively quick drying.

Can you guess what the next sketch will be?

Writing at Large

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