Moleskine Lord of the Rings Moria Limited Edition Review

A few years ago Moleskine came out with a series of rather plain Lord of the Rings limited edition notebooks. This year they’ve had a redo, and this time they’ve decided to invest a little more in the cover designs. The result is a series of notebooks that really does the LotR justice.

The Moleskine Lord of the Rings Moria limited edition is a proof that even if you choose grey as your colour scheme, you don’t have to create a dull product (I’m looking at you Blackwing volume 10).

Notice how even the font on the paper band has been changed to fit the LotR design sensibility.

Every little detail counts, including the choice of colour for the paper band (it just pops), and the Tolkien symbol on the spine.

I’ve decided to use this notebook as my next journal. You can check out just how many things I pack into my journals by comparing the two notebooks’ thickness. They’ve got the same page count (192).

The front cover features a drawing of the entrance to Moria, in dark grey on a light grey background. The drawing continues on the spine and the back. You can see members of the fellowship (in gold foil) standing in front of Moria’s gates, the monster about to attack from the lake, and the carving of the two trees and the entrance runes. A description of the scene is given in gold foil, also in the LotR font.

The back cover. You can see the gate rune to Moria in detail, and the Moleskine logo hardly at all. It’s just debossed into the cover. The elastic band matches the dark grey of the drawing.

Inside the front and back cover is some of Moleskine’s finest work in terms of endpaper design. The front features a sketch of the Misty Mountains and lands to the south and the east, and also the “In case of loss“. You can see Tolkien debating which name to use for various places.

The back includes a contour map of the Misty Mountains around Mirrormere. Again, the drawing is perfectly aligned with the back pocket (it might not seem so in the photo, but trust me, it is), a small but not trivial design feature.

This is a lined notebook, with a light grey ribbon. The paper works well with pencil, ballpoint, gel ink pen, fineliners and Noodler’s Bulletproof black.

The add on to this edition is also unique: an insert with the Cirth alphabet that Tolkien invented.

Inside the insert:

The B-side of the paper band includes a timeline for the Lord of the Rings trilogy, focusing on Frodo and Sam’s journey.

If you love the Lord of the Rings this edition is a no brainer —  I highly recommend it. Even for non-fans this is a very well designed, grey/red/black and white edition that proves that you can create beautiful things even with a limited palette.

 

 

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Moleskine Lord of the Rings Moria Limited Edition Review

Golden Master Pencil Review

A box of these beauties was languishing together with other art supplies in a stall in London’s Spitalfields market. I saw the box, saw their name, “The ‘Golden Master’ Pencil” and I couldn’t resist.

Just look at this design:

Who doesn’t want “Silken Graphite”? Or “A High Grade Pencil in Hexagon Cedar”? I’ve rarely seen a company take such pride in a pencil, outside of the Japanese market.

British made, from an era where Britain made things — and in London, too!

The pencils aren’t really Golden Master HB, but 2B (a bonus from my point of view). They’re labeled as such on the pencil, and strangely enough as two Bs on the box. I’ve never seen 2B pencils labeled that way. I wonder if they printed six Bs for their 6B pencils. I doubt they’d have room on the box.

In any case, the pencils slide out of the box in a sort of cardboard tray that is pretty robust. It works just like an old Eagle Pencil box, and I wish that more modern pencil makers would use this design.

The pencil itself has a good coating of yellow lacquer that has withstood the test of time, and has “Made in England”, “Golden Master”, “Silken Graphite”, “Pencils LTD.” and the grade stamped on it in gold foil.

The hexagonal shape is sharper, has sharper edges, than more modern pencils do. It doesn’t cut into your hand, but you feel it, and I have a feeling that without the lacquer this pencil wouldn’t be as nice to use.

The pencils come unsharpened in the box, and they’re a standard pencil size. As you can see there’s no eraser and no ferrule, but I don’t mind that. I rarely use pencil erasers, but rather keep a block eraser on my desk, or scribble things out if I’m writing.

I drew a journal comic with this pencil. It’s very smooth and holds a point forever, but it’s not a 2B pencil in terms of darkness. It’s closer to a standard B, but there’s a chance that time has done wonky things to make the graphite lighter. It erases well, and every core in the box that I have is perfectly centred. If you can get your hands on these, I recommend giving them a try. They’re great pencils, and I wish that they were still in production today.

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Golden Master Pencil Review

In Case of Loss

One of the most iconic things about Moleskines is the “In case of loss, please return to” on the front endpaper. You are supposed to write your name and address on the supplied four lines, together with an enticing, but not too enticing reward. According to Adrienne Raphael this feature of the Moleskine sees little use. If you’re Casey or Van Neistat you label every notebook cover with Whiteout, offering a cash reward.

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I just write my name and email, and with “let’s talk” in the reward line. I started filling the “In case of loss” at first because at the time I could barely afford to buy a Moleksine and they were really difficult to obtain, so I wanted a chance to get them back if I ever misplaced them. Over the years filling these lines has become a habit, a ritual that makes the notebook mine instead of just another notebook. I never thought that I would come in use.

Until last year.

I used my Moleskine to journal during a night flight from London to Tel Aviv. In the rush out of the plane I didn’t notice that I forgot my notebook in my seat pocket, together with my beloved Ti Arto. I got home at around 3 AM after a sleepless night, and crashed to sleep. When I woke up a few hours later and realized that I lost my journal you could hear my howl around the block. I beat myself up and then contacted the airline (the brilliant British Airways), as well as the Ben Gurion and Heathrow lost and found, in the faint hope that someone found my notebook and didn’t toss it out with the garbage.

A few hours later, while I was still mourning my loss, I got an email.

The Customer Service Manager on my flight had found my notebook, saw my email address on the “In case of loss” page, and had emailed me. There are good people in the world, and one of them was the manager on my BA flight.

Two weeks later my journal arrived through the mail, and I nearly cried when I saw it.

You see, when I first filled that from page this wasn’t a special notebook. I had bought it on sale, it wasn’t a favourite limited edition of mine, and I had just randomly selected it from the shelf when I filled my previous Moleskine.

But then I wrote in it.

By the time I lost it the notebook contained memories of my dog, which died two months before, notes from my London trip, ideas for a short story, and a lot of snippets of everyday life. It had become meaningful, irreplaceable.

So when you crack open a new notebook, any new notebook, take a moment to jot down your name and email at least. You may plan on only using it for grocery lists right now, but you never know what the future holds.

In Case of Loss

Moleskine Bruce Chatwin Songlines Anniversary Limited Edition

In 1987 Bruce Chatwin published “The Songlines”, his classic travel narrative about Australia. In the book he describes his favourite notebooks, moleskines, which he purchased at various Parisian bookstores:

In France, these notebooks are known as carnets moleskines: ‘moleskine’ in this case, being its black oilcloth binding. Each time I went to Paris, I would buy a fresh supply from a papeterie in the Rue de l’Ancienne Comédie. The pages were squared and the end-papers held in place with an elastic band. I had numbered them in series. I wrote my name and address on the front page, offering a reward to the finder. To lose a passport was the least of one’s worries: to lose a notebook was a catastrophe.

In 1995 Maria Sebregondi read this account and decided to try and revive those moleskine notebooks as a brand. She approached a small Italian design company, Modo & Modo, and in 1997 the Moleskine (capital M) came to life.

In 2017 Moleskine came out with a collaboration with Vintage Books that celebrated the 20th anniversary of Moleskine and the 30th anniversary of “The Songlines”. The result is stunning, and perhaps a bit thought provoking.

Moleskine created a version of “The Songlines” that looks like a hardback Moleskine, including the elastic band and the back pocket, and contains the full text of the book, an excerpt from Chatwin’s biography about his trip to Australia, an explanation of what they owe this text and how they see their future, and several blank pages for notes. To this edition they attached a plain, large softcover Moleksine. Not a limited edition Moleskine, just a regular plain softcover Moleskine. We’ll get to that decision later.

The paper band on this edition is phenomenal. There’s no B-side (this came out before Moleskine started to play with the B-side of their paper bands), but it’s extra wide and extra long and embossed so I kept it in the back pocket, as it’s so pretty.

As you can see, “The Songlines” book is considerably thicker than the softcover Moleskine that it comes with. The text is 293 pages long, and together with the biography excerpt it comes to 320 pages long. Then add the blank notes pages and you get a considerably larger “notebook”. It’s still very well bound, with the pages opening flat and the standard Moleksine paper. I wonder if the size of the book made them realize that they can create a Moleskine Expanded. In any case, it’s a really fun book to hold.

On the back cover the paper band explains the history of Moleskine with “The Songlines” and what this edition celebrates.

When you remove the paper band you get two simple looking Moleskines, one embossed with Chatwin’s name, the title of the book and the publisher’s name. The second is a regular plain softcover Moleskine, and in between the two is a cardboard separator with “Enjoy your travel writing” written on it.

Here are the book and the notebook side by side.

The spine of the book, with the Vintage books and Moleskine logo.

The beautiful, beautiful endpapers of “The Songlines” book.

The title page:

At the end of “The Songlines” there’s an explanation of what Moleskine’s history with this book is.

The excerpt from Nicholas Shakespeare’s “Bruce Chatwin” biography:

The notes pages:

And the back end-papers:

This brings me to the peculiar and somewhat thought provoking move of including a plain large softcover Moleskine with this well designed and produced book. To be honest, I was disappointed at first. Why wasn’t this a limited edition with the same colourful end-papers? Why was it a softcover and not a hardcover Moleskine, like the original 1997 notebook?

After giving it some thought and reading “The Songlines” I think I can guess why. This edition is about the book, not so much about lionizing Moleskine as a brand. It’s a tip of the hat to the man to whom which the company owes so much. The notebooks he describes don’t seem to be half as well designed as Moleskines (no rounded pages, no back pocket, no ribbon marker), and they appear to be softcover plain or ruled notebooks. Moleskine brought out their equivalent, and I kind of like the gesture. There’s another, much less quoted moleskine scene in “The Songlines” that I think that this applies to:

‘Nice notebook,’ he said.

‘I used to get them in Paris,’ I said. ‘But now they don’t make them any more.’

‘Paris? he repeated, raising an eyebrow as if he’d never heard anything so pretentious.

Sometimes keeping it simple and being aware and respectful of your inspiration is all that’s required.

Moleskine Bruce Chatwin Songlines Anniversary Limited Edition

Moleskine Fall 2019 Catalog

Moleskine has issued their Fall 2019 catalogue and it’s even more interesting than their Spring 2019 one. As usual, here are the highlights:

  • Classic Notebook Expanded. Johnny Gamber will be happy to see that these are staying on. 400 pages of goodness, which are for some reason also offered in soft cover. <shrug>
  • Classic Leather Notebooks. These got wider release (not just Barnes and Noble) and get more vibrant options besides Black —  Amber Yellow, Forget Me Not Blue, and Bordeaux Red. They feature thicker, 100gsm paper (as in the Two-Go notebooks), and are fountain pen friendly (as are the excellent Two-Go notebooks), but come with 176 pages instead of the regular 192 (soft cover) or 240 (hard cover).
  • Two-Go. These just got a colour change to one of their ribbons (it’s white now).
  • Blend Collection. Four new fabric designs/colours in the FW2019 Blend collection that are added to the four new fabric designs/colours in the SS2019 Blend collection. The covers on these are phenomenal and Baron Fig has a lot to learn from Moleskine when it comes to using fabric. These are still only offered with ruled paper, which in some ways makes sense (still what Moleskine sells the most) but I wish that they at least offered them in one other kind of ruling (dotted?). These all look smart and professional, and they do have a more “wintery” look to them.
  • Planners/Diaries. Fall is the time of year for these and Moleskine offers a LOT of them, in various colours and designs. This year’s limited editions are Alice in Wonderland, Star Wars (so, so pretty), Le Petit Prince, Dr Seuss, and Doraemon. My guess is that the Alice in Wonderland and Star Wars ones will sell much faster than Le Petit Prince or Dr Seuss, so if you like them, pre-order them.
  •  Limited Edition Notebooks. My favourites! Let’s dig in, shall we?
    • Harry Potter. The Boy Who Lived keeps getting new limited editions and that’s not really surprising. What is surprising is that Moleskine is coming out with 7 (!) Harry Potter notebooks, one dedicated to a pivotal moment in each book, with four coming out this year and three more coming out in Spring/Summer 2020. All the notebooks share a design language, and the four that are coming out this year are very good looking. The very popular Marauder’s Map edition is getting a fresh take as part of a limited edition, numbered box with a poster as an insert (something that Moleskine hasn’t done for a few years now).
    • Star Wars. Also not the first limited edition for this franchise, and this one has everything I look for in a Moleskine Limited edition. Somebody really thought about the design, the quotes, the colour scheme, and they’ve managed to create a nostalgic feel for a Sci Fi themed notebook.
    • Dragon Ball. THE FIRST DOT GRID LIMITED EDITION, you guys! Who’s excited? I’m excited! Is there anything else that needs to be said? (OK, quickly then: four notebooks, two ruled, two dot grid, really well designed, and there’s a chance that the covers are cloth covers, which gives the whole edition 10,000 more points in my book).
    • David Bowe. I kind of expected Bowe to get a limited edition before Bob Dylan, but Dylan got his in the spring. I think that these are nicer than the Dylan notebooks, but I really need to see one without the paper band to tell.
    • James Bond/007. Moleskine’s second attempt at making a 007 notebook and overall it looks better. Two notebooks, one blue and one black, with the 007 logo and the iconic swirling gun barrel, a secret code table on the B-side of the paper band and a themed sticker sheet. Simple but effective.
    • Year of the Rat. Chinese New Year! It’s nice to see Moleskine trying some new and interesting things with their limited editions, and these are puh-retty! Two notebooks (one red and one blue) and one boxed notebook (not numbered), each with 2 lucky red envelops, and all of them very well designed. Simple, evocative, beautiful.
  • Watercolour Blocks. These are interesting but a little strange. Moleskine’s appeal has always been that they are one of the few to offer halfway decent hardbound watercolour notebooks that can be used on the go. There’s a lot of fierce competition in the watercolour pad market and I really don’t understand what Moleskine are doing there. Waterford, Canson, Strathmore, Bockingford, Windsor Newton, Daler-Rowney, Fabriano, and even Clairefontaine offer artist grade and student grade watercolour pads. Why buy Moleskine’s, especially when they still offer only 35% cotton paper?
  • Log Book. I assume that this was created with the Bullet Journaling crowd in mind, but the dotted paper, index, numbered pages, thicker paper, pen test section, flap and double ribbons will have a wide appeal.
  • Voyageur. This popular, themed notebook is getting two new colours: Hibiscus Orange and Elm Green.

That’s it for me. I’m not interested in the “Smart” stuff or the accessories, and there’s enough here as there is. It looks like 2019 is going to be an excellent year for Moleskine, and I can’t wait to get my hands on several of these notebooks.

 

Moleskine Fall 2019 Catalog

Moleskine Basquiat Limited Edition Notebook Review

It is rare that I start using a notebook the moment I unwrap it, but the Basquiat Moleskine limited edition had that effect on me even though I originally didn’t plan to buy it.

The colour of the cover is what drew me to this notebook. It’s a purplish blue that contrasts beautifully with the orange elastic closure. I didn’t even pause to take a picture of notebook when it was still wrapped. That periwinkle cover makes Basquiat’s handwriting and art just pop. You can see the character in each line and it really does inspire you to grab a pen and write and draw and doodle.

The back cover (a little smudged from my enthusiastic use, but nothing that a wet-wipe can’t remove) is understated, with just the Basquiat signature. I think that I’d prefer the Moleskine logo to just be debossed in, like they did in several other recent editions, but it’s not a dealbreaker for me that it’s boldly there.

The front endpage echoes the front cover, with the addition of a pretty fitting Basquiat quote. I had already filled in the “In case of loss” details, so I hid them.

Look at that back endpaper. Is it not well designed? I like that they let the piece “breath”.

Unlike most Moleskine limited editions that come in lined paper, this notebook comes with blank pages. I like the choice, as it frees you to do whatever you want with the notebook: drawings and words will feel equally welcome here. Also, there’s an orange ribbon bookmark. What’s not to love about that?

The stickers are a bit of a disappointment in my opinion in terms of colour choice. I would have liked it better if they kept to the orange and periwinkle colour theme. As it is, they clash a bit with the rest of the notebook.

The B-Side of the paper band gives a little background on Basquiat, who he was and how he worked. It’s a nice little add on.

There are times when a notebook just makes you want to start using it, start writing and scribbling in it, start creating. The Basquiat Moleskine did that for me, and it is a fantastic addition to the Moleskine limited edition lineup for the year, and definitely a notebook that I recommend that you try.

 

Moleskine Basquiat Limited Edition Notebook Review